You can also use your arrow keys to move it by semitones, so you can change the octave by pressing the up or down arrow 12 times while each note is highlighted.įor audio, double-click on the audio clip to bring up the clip view. You can then highlight every MIDI note and drag them up or down an octave. For MIDI, double-click on the MIDI clip to bring you to the piano roll. Next, let’s eliminate the macros we don’t need by using the minus button on the left.įinally, save the MIDI effect rack by clicking the floppy disk icon in the top right corner of the MIDI effect rack. In which case, go crazy with the detune value. You can leave the key and detune settings as they are unless you want some obscure octave effect. For my octave bass effect, I will set the pitch to +12 and adjust the blend until I am happy with how it sounds. Open up the Pitchproof plugin, and you can adjust the settings. It tends to sound better with both the original and pitched signals being processed together this way. I recommend putting Pitchproof at the start of your audio effect chain. On the track where you have recorded your instrument, in my case, bass guitar, drag Pitchproof onto the track. Once you have installed this, it’s straightforward to use. The free third-party plugin I am recommending is Pitchproof, and Aegean Music makes it. Using A Free Third-Party Plugin To Create An Octave Effect That’s part of the excitement in music production. You can apply different effects to both audio clips and get very experimental! This just made the duplicate signal blend better with the original. I also noticed some unpleasant sounds around 516Hz, so I notched out a wide bell of -5.83dB. I have removed some low frequencies on the duplicate track, as the main bass sound provides this. I prefer EQ Eight, as it has a graph, and I can be more specific. Step 5 (Optional): This step can be skipped, as you now have an octave sound, but you can further shape the sound of the octave up using EQ Three or EQ Eight.
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